📖 Writing

• Fiction & Journalism:

  • Published in Australian Penthouse (1988), Beyond the Louvers (1989), Kyoto Journal (1997-2002), Japan Times (2000)

  • Short & Flash Fiction Awards: NT Literary Awards (Winner/Shortlisted: 2009, 2010, 2014, 2017)

  • Featured in Short and Twisted (2018), Whatever NT (Children’s Fiction), Furphy Anthology (2022), Hare’s Paw (2023)

  • Novel-in-progress: A Skiv in the Songs of the Seven Sisters (incorporating travel journal excerpts, Australia 1983-1990)

• Notable Short Fiction:

  • Letter to Nathan (Flash Fiction)

  • The Man in the Audience (Short Story, 2023)

  • The Colours of an Arm (Flash Fiction)

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🎭 Scripts & Screenplays

• Lured (2012) – Short film script (Produced & screened internationally)

• A Uteful of Twilight (2017) – Six-part web series (Mentored by Greg Woodland, Script Central)

• Tarzy-Bot vs Arch-eee-PONG! (2015) – Musical comedy (Finalist: Brown’s Mart Theatre Award)

• Getting In (2018) – Short film script (Finalist: Moondance & Vial International Film Festivals)

• The Last Anthill of the Wild Wild North (2023) – Quasi-musical theatre (Winner: Brown’s Mart Theatre Award)

• Our Story (2013) – Finalist: Brown’s Mart Theatre Award

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📡 Performances & Broadcasts

• Radio:

  • 2JJ (1979-1980) – Announcer/Producer

  • Voice Actor: Bad Habits (CAAMA), Points in Case (2016-2020)

• Theatre & Stage Performances:

  • Tarzy-Boy vs Arch-eee-PONG! – Alice Springs Youth Theatre (Dir. Brywm Williams, 1988)

  • Transmogrification of a Fool (1987)

  • Walls Hills – Corrugated Iron Youth Theatre (1988)

  • Road Stories – Director & Producer (1990)

  • Conference of the Birds – PNG National Theatre Company (Dir. William Takoa)

  • The Importance of Being Earnest – (Dir. Damian Dupree, 2012)

  • Intruder’s Guide to East Arnhem Land (2014)

• Spoken Word & Literary Events:

  • Ambient Lounge Nights – Club Blue, United Future Organisation, Tokyo (1995-1997)

  • Katsu! Art Events (1997-2000)

  • Our Ara Balla – Performances across Tokyo (1999-2000)

  • Our Story – Darwin Writers Festival, Melbourne Short & Sweet (2010)

  • Cloud Over Alice – NT Writers Festival (2014)

  • Two Way Law – Darwin Courthouse Performance

  • You Want Precocious? + Only You, You Only – Bite-Sized Competition, Alice Springs (2009)

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🎥 Film

• The Song (2013) – Director/Producer/Actor (Darwin International Film Festival)

• Last Ride (2015) – Actor (Dir. Titus Paar)

• Lured (2017) – Writer/Producer/Composer/Co-Director

  • Screenings: Darwin International Film Festival, St Kilda Best Australian Shorts

  • Semi-finalist: Sydney Indie Film Fest

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🎶 Music & Aural Fiction

• Radio Work: Rhyme of the Ancient Mariner – Skits & carts, 2JJ (1979-1980)

• Albums & Releases:

  • Tarzy-Boy vs Arch-eee-PONG! (1998) – Released on Bandcamp

  • Lured (Theme Song) (2018) – Released on Bandcamp

  • The Grass Blade – Produced by Bill Laswell (2018)

• Radio & Festival Features:

  • The Ikebukuro Suite – ABC Radio National (1998)

  • Moon in Havoc – Music for Rod Moss’ Earth Portraits & Poetry, NT Writers Festival (2022)

• Published Musical & Spoken Word Works:

  • Spade in the Back + Suka Cha – Spoken Word Anthology, Quillkeepers Press (2022)

  • Scrape Me a Coconut – Music & Lyrics, "13 Ways of Looking at Toilet Paper," Hare’s Paw Literary Journal (2023)

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📚 Education & Creative Learning Initiatives

• Playing English – Movement games & songs for learning English

• Playing English Tours – (West Africa, India)

• Bush Smart – Interactive, Sesame Street-style program for Indigenous kids in remote communities (circus skills, dance, numeracy, literacy, resilience training)

• Deadly Clever – Literacy & numeracy program for Indigenous youths with substance use disorders

• Beats for the Body – Movement & drumming program for seniors and people with disabilities

• Speak Up, Reach Up – After-hours program for Indigenous AOD clients & their children

• Dots and Lines – Literacy & emotional regulation program for Indigenous parents & preschool children

• Clear Heart (In development) – Emotional regulation & anger management for Indigenous AOD clients